January 2015 Archives

Cover the Day: Fortune, February 1, 2015

Cover the Day: Fortune, February 1, 2015

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Welcome to SPD's Cover of the Day, a portfolio of brilliant magazine and newspaper covers from around the world.

Acting Creative Director: Chad McCabe
Illustrator: Jeremy Enecio
Director of Photography: Mia Diehl

Want to submit your cover to be considered for our Cover of the Day? Send us a jpeg of your cover with credit info to SPDsubmissions@gmail.com

Publication Design 39 Judging Photos, 2004

Publication Design 39 Judging Photos, 2004

SPD50m1.jpgOne of the highlights of each SPD Publication Design annual is the collection of judges photo portraits, taken by an ongoing series of talented photographers. For many years the judges were photographed with their judging groups, generally five to six people who were assigned a specific series of pages to review. For most of the 00s, however, judges were photographed individually, in a highly-orchestrated assembly line style. If the judges look tired and haggard, it's because the photos were usually taken at the end of a long day of judging, after looking at literally thousands of examples of publication design.

For the 2004 judging, however, the Publication Design 39 co-chairs Carla Frank, Luke Hayman, and Mitch Shostak created a rock 'n' roll theme for the judges' photographs. The judging groups were photographed by stellar lensman Henry Leutwyler as rock bands, complete with guitars, microphones, and onstage theatrics. There was some serious thrashing and wailing as over 70 of the finest visual magazine makers did their best to recreate classic rock 'n' roll poses.

All photographs by Henry Leutwyler.

(ABOVE L-R): Emily Crawford, design director, Travel + Leisure; Amid Capeci, art director, Rolling Stone; Andy Cowles, creative director, IPC Media; Maxine Davidowitz, group art director, Rodale; Anke Stohlman, design director, Time Inc. Custom Publishing; Tom Brown, principal, TBA+D.
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From the SPD Archives: The First Publication Design Annual, 1975

From the SPD Archives: The First Publication Design Annual, 1975

SPD50m.jpgThis is where it all began: the very first SPD publication design annual, published in 1975. It was printed as a softcover book, with all black and white pages. SPD published two paperback design annuals before starting its series of hardbound editions with Publication Design 12 in 1978.

The book and cover design was by John Barban, The Cricket Press. Cover photo by Raeanne Rubenstein. Typography by Gerard Associates.

The competition chairs were Robert Herald, Hospital Practice; Ira Silberlicht, Emergency Medicine; John Barban, Golf Magazine; and Arline Campbell.

The judges:

Herbert Bleiweiss: art director, Ladies Home Journal
Frank Bowers: editor in chief, Fawcett Special Interest Magazines
Ray Carruthers: illustrator and former art director, Viva
Carol Carson: art director, Scholastic Magazine
Seymour Chwast: designer, Push Pin Studios
Jerry Demoney: art director, Seventeen
Byron Dobel: editor, New York
Otto Feurbringer: editor, Time-Life Magazine Development Group
Robert Herald: art director, Hospital Practice
David Kaestle: former art director, National Lampoon
Emma Landau: art director, American Heritage
Tom Lennon: associate art director, Emergency Medicine
Stan Mack: illustrator and former art director, The New York Times
Don Mennell: art director, Oui
Herb Migdoll: art director, Dance Magazine
Ken Munowitz: art director, Horizon
B. Martin Pederson
Herbert M. Rosenthal, director of graphics, Institutional Investor Systems
Eileen Schultz: art director, Good Housekeeping
Robert Sadler: art director, Astro Minerals
Eric Seidman: art director, The New York Times
J.C. Suares: illustrator and former art director, The New York Times
Chuck Tannen: publisher, N.Y. Business Magazine
Sinichuro Tora: art director, Popular Photography
Rochelle Udell: art director, Vogue
Richard Weigand: art director, Esquire

~~~~~~~~~~~~
Related Stories from the SPD Archives:
1973 Call for Entries, Designed by Massimo Vignelli
The 15th Call for Entries, 1979
Call for Entries Poster, 1972
Call for Entries 20, 1984
25th Anniversary Call for Entries, 1989
The First Issue of Grids, 1982
Society of Publication Designers News, 1966
Publication Design News, 1975
Buttons from the 39th SPD Gala, 2004
Publication Design Annual #2, 1976
Publication Design 12, 1978
Publication Design 13, 14 & 15 Annual, 1982
Publication Design 16 & 17, 1983
Publication Design 20, 1986
Publication Design 21, 1987
Publication Design 22, 1988
Publication Design 23, 1989
Publication Design 24, 1990
Publication Design 39 Cover, 2004
Cover the Day: Bloomberg Businessweek January 26,2015

Cover the Day: Bloomberg Businessweek January 26,2015

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Welcome to SPD's Cover of the Day, a portfolio of brilliant magazine and newspaper covers from around the world.

Bloomberg Businessweek,  January 26, 2015 
Creative Director: Robert Vargas
Deputy Creative Director: Tracy Ma
Design Director: Cynthia Hoffman
Director of Photography: Clinton Cargill

Want to submit your cover to be considered for our Cover of the Day? Send us a jpeg of your cover with credit info to SPDsubmissions@gmail.com


Ann Kwong, 1957 - 2015

Ann Kwong, 1957 - 2015

Very sad news in the publishing community.  Ann Kwong passed away on January 17 of cancer.  Ann was an important part of the New York design and magazine world for thirty years.  
Ann started her career at design-innovative New York Woman magazine, which was owned by American Express Publishing, working under Fabien Baron in 1986.  There she hired photographers such as Mark Seliger, Frank Ockenfels, and Michael Thompson, at the very early stages of their careers.
When Fabien left, Ann become the Design Director of New York Woman until it was folded during the recession of 1992. Ann went on to work at Harper's Bazaar, Calvin Klein, Glamour, New Woman and landed at Cosmopolitan in 1998 where, for the next 15 years, she oversaw all of their editions and their transition to digital platforms. Ann was a mentor to many young designers and photo editors throughout her life. She is survived by her husband and two kids.


From the SPD Archives: Publication Design 23, 1989

From the SPD Archives: Publication Design 23, 1989

SPD50m.jpgThe SPD Publication Design annual has been the state of the art representation of magazine design since the first book was published in the mid-1970s. This edition of Publication Design 23, published in 1989, featured the best editorial design, illustration, and photography from 1987, selected by a stellar group of judges.

The book and jacket design was by Anthony Russell and Samuel Kuo of Anthony Russell, Inc. Cover photograph by Ed Eckstein. The typographer was SGW Associates.

The competition chairperson for Publication Design 23 was Mary K. Baumann, Will Hopkins Group.

Be sure to enter your magazine work into this year's SPD 50 Publication Design competition.

The very final (late) deadline is January 23.

~~~~~~~~~~~~
Related Stories from the SPD Archives:
1973 Call for Entries, Designed by Massimo Vignelli
The 15th Call for Entries, 1979
Call for Entries Poster, 1972
Call for Entries 20, 1984
25th Anniversary Call for Entries, 1989
The First Issue of Grids, 1982
Society of Publication Designers News, 1966
Publication Design News, 1975
Buttons from the 39th SPD Gala, 2004
Publication Design Annual #2, 1976
Publication Design 12, 1978
Publication Design 13, 14 & 15 Annual, 1982
Publication Design 16 & 17, 1983
Publication Design 20, 1986
Publication Design 21, 1987
Publication Design 22, 1988
Publication Design 24, 1990
Publication Design 39 Cover, 2004

Q: What's different about the "genre" judging process this year?


A: Judges will be grouped together in separate teams as always. But each team will only vote on entries from genres that everyone in that team have not entered in. So, no judge will come across their own work - or their competitors' work - during the genre judging stage. 

View a list of this year's jury here.

There is still time to enter!  Late deadline is this Friday!
Cover the Day: The Hollywood Reporter, January 23, 2015

Cover the Day: The Hollywood Reporter, January 23, 2015

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Welcome to SPD's Cover of the Day, a portfolio of brilliant magazine and newspaper covers from around the world.

The Hollywood Reporter,  January 23, 2015
Creative Director Shanti Marlar
Photographer: Martin Schoeller
Photo and Video Director: Jennifer Laski

Want to submit your cover to be considered for our Cover of the Day? Send us a jpeg of your cover with credit info to SPDsubmissions@gmail.com


Announcing the Pub50 Jury!

Announcing the Pub50 Jury!

The Society of Publication Designers is pleased to announce its jury for the Pub50 competition.  Judging will be held in New York City the weekend of February 7th, 2015.   There is still time to enter this year's competition.  
The late deadline is this Friday, January 23rd.


Pub50 Co-Chairs
Fred Woodward, GQ.
Florian Bachleda, Fast Company.

Magazine of the Year Chair 
Robert Newman, @Newmanology

Brand of the Year Chair
Janet Froelich, design consultant

Print, Super 8, and Brand of the Year Judges
Tom Alberty, New York.
Brian Anstey, InStyle.
Jill Armus, Oprah.
Richard Baker.
Steve Banks, Los Angeles.
Walter Bernard, WBMG.
Gail Bichler, NY Times Sunday magazine.
Deb Bishop, More.
Steve Duenes, The New York Times Digital.
Andrea Dunham, People.
Kevin Fisher, Audubon and Film Comment.
Cybele Grandjean, Ligature.
Theresa Griggs, Cosmopolitan.
Alexander Grossman, Bon App.
Michael Grossman, factr.com
Joseph Hutchinson, Rolling Stone.
Anton Ioukhnovets, Ioukhnovets Studio.
George Karabotsos, Galvanized Inc.
Natalie Kirsheh, Details.
Rachel Lassere, Cooking Light.
Eddie Leida, Barneys.
Tim Leong, Entertainment Weekly.
Edward Levine, Psychology Today.
Paul Martinez, Maxim.
Marshall McKinney, Garden & Gun.
Jennifer Miller, Conde Nast Traveler.
Debbie Millman, Sterling Brands.
Wyatt Mitchell, The New Yorker.
Michael Norseng, Esquire.
Michele Outland, Gather.
Tom O'Quinn, Men's Health.
Devin Petzwater, Italian Vanity Fair.
Robert Priest, Priest & Grace.
Gretchen Smelter, Travel & Leisure.
Billy Sorrentino, Wired.
Elizabeth Spiridakis Olsen, Afar.
Casey Tierney Stenger, Real Simple.
Allyson Torrisi, Popular Mechanics.
TJ Tucker, Texas Monthly.
Robert Vargas, Bloomberg Businessweek.

Digital Co-Chairs
Melanie McLaughlin, Collide Brand Consultants
Lisa Michurski, Form Science

Digital Judges
Rachel Gogel, The New York Times.
Chris Hercik, Sports Illustrated.
Bethany Powell, National Geographic.
Patrick Ramsey, Aerin.
David Vogler, Hearst.

From the SPD Archives: Publication Design 24, 1990

From the SPD Archives: Publication Design 24, 1990

SPD50m.jpgThe SPD Publication Design annual has been the state of the art representation of magazine design since the first book was published in the mid-1970s. This edition of Publication Design 24, published in 1990, featured the best editorial design, illustration, and photography from 1988, selected by a stellar group of judges.

The book and jacket design was by Anthony Russell and Samuel Kuo of Anthony Russell & Associates. The typographer was Phoenix Typographers.

The competition chairpersons for Publication Design 24 were Robert Priest and Derek Ungless, art director, Vogue.

Judges for Publication Design 24:

Fabian Baron: art director, Italian Vogue
Walter Bernard: partner, WBMG
Michael Bierut: vice president, Vignelli Associates
Henry Brimmer: art director, Photo Metro
Neville Brody: principal, Neville Brody Design UK
Gregory Curtis: editor, Texas Monthly
Louis Fishauf: principal, Reactor Art & Design
Nancy L. Green: partner, Donovan & Green
David Hillman: partner, Pentagram Design UK
Will Hopkins, partner, Hopkins/Baumann
Richelle Huff: art director: Progressive Architecture
Terry Koppel: principal, Koppel & Scher
Robert Lockwood: principal, News Graphics
Michael Mabry: principal, Michael Mabry Design
John MacFarlane: editor, Financial Times of Canada
Claude Maggiore: found and creative director, Editorial
Matt Mahurin: photographer
Fausto Pellegrini: art director, Jan Krusowski Associates
Pari Stave, curator, Equitable Life Assurance Society
Fred Woodward: art director, Rolling Stone

Be sure to enter your magazine work into this year's SPD 50 Publication Design competition.

The very final (late) deadline is January 23.

~~~~~~~~~~~~
Related Stories from the SPD Archives:
1973 Call for Entries, Designed by Massimo Vignelli
The 15th Call for Entries, 1979
Call for Entries Poster, 1972
Call for Entries 20, 1984
25th Anniversary Call for Entries, 1989
The First Issue of Grids, 1982
Society of Publication Designers News, 1966
Publication Design News, 1975
Buttons from the 39th SPD Gala, 2004
Publication Design Annual #2, 1976
Publication Design 12, 1978
Publication Design 13, 14 & 15 Annual, 1982
Publication Design 16 & 17, 1983
Publication Design 20, 1986
Publication Design 21, 1987
Publication Design 22, 1988
Publication Design 24, 1990
Publication Design 39 Cover, 2004
From the SPD Archives: Publication Design 21, 1987

From the SPD Archives: Publication Design 21, 1987

SPD50m.jpgThe SPD Publication Design annual has been the state of the art representation of magazine design since the first book was published in the mid-1970s. This edition of Publication Design 21, published in 1987, featured the best editorial design, illustration, and photography from 1985, selected by a stellar group of judges.

The book and jacket design was by Walter Bernard, Milton Glaser, and Colleen McCudden of WBMG. Cover photograph by Matthew Klein. The typographer was True to Type.

The competition chairpersons for Publication Design 21 were Michael Grossman, design director, The Village Voice and Amy Bogert, art director, American Bookseller.

Judges for Publication Design 21:

Robert Priest: art director, Us
Nancy Butkus: art director, Manhattan, inc.
Anthony Russell: principal, Anthony Russell Inc.
Tibor Kalman: principal, M & Co.
Mary Zisk: art director, PC
Mary K. Baumann: art director, Time-Life Development
Thomas P. Ruis: art director, New York Daily News / graphics

Be sure to enter your magazine work into this year's SPD 50 Publication Design competition.

The very final (late) deadline is January 23.

~~~~~~~~~~~~
Related Stories from the SPD Archives:
1973 Call for Entries, Designed by Massimo Vignelli
The 15th Call for Entries, 1979
Call for Entries Poster, 1972
Call for Entries 20, 1984
25th Anniversary Call for Entries, 1989
The First Issue of Grids, 1982
Society of Publication Designers News, 1966
Publication Design News, 1975
Buttons from the 39th SPD Gala, 2004
Publication Design Annual #2, 1976
Publication Design 12, 1978
Publication Design 13, 14 & 15 Annual, 1982
Publication Design 16 & 17, 1983
Publication Design 20, 1986
Publication Design 22, 1988
Publication Design 24, 1990
Publication Design 39 Cover, 2004
From the SPD Archives: Publication Design 20, 1986

From the SPD Archives: Publication Design 20, 1986

SPD50m.jpgThe SPD Publication Design annual has been the state of the art representation of magazine design since the first book was published in the mid-1970s. This issue of Publication Design 20, published in 1986, featured the best editorial design, illustration, and photography from 1984, selected by a stellar group of judges.

The book and jacket design was by B. Martin Pederson of Jonson, Pederson, Hinrichs & Shakery Inc. Cover photograph by Richard Levy. The typographer was U.S. Lithograph.

The competition chairman for Publication Design 20 was Michael Valenti, art director, Science Digest.

Judges for Publication Design 20:

Steven Heller: art director, The New York Times Book Review
Will Hopkins: art director, American Photographer, principal, Will Hopkins Group
Margery Peters: art director, Fortune
Paula Scher: principal, Koppel & Scher
Melissa Tardiff: art director, Town & Country
Vincent Winter: principal, Vincent Winter Studio

Be sure to enter your magazine work into this year's SPD 50 Publication Design competition.

The very final (late) deadline is January 23.

~~~~~~~~~~~~
Related Stories from the SPD Archives:
1973 Call for Entries, Designed by Massimo Vignelli
The 15th Call for Entries, 1979
Call for Entries Poster, 1972
Call for Entries 20, 1984
25th Anniversary Call for Entries, 1989
The First Issue of Grids, 1982
Society of Publication Designers News, 1966
Publication Design News, 1975
Buttons from the 39th SPD Gala, 2004
Publication Design Annual #2, 1976
Publication Design 12, 1978
Publication Design 13, 14 & 15 Annual, 1982
Publication Design 16 & 17, 1983
Publication Design 21, 1987
Publication Design 22, 1988
Publication Design 24, 1990
Publication Design 39 Cover, 2004

Cover the Day: Girls Like Us Issue #6

GirlsLikeUs.jpg

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Welcome to SPD's Cover of the Day, a portfolio of brilliant magazine and newspaper covers from around the world.

Girls Like Us,  Issue #6
Designers: Sara Kaaman, Stina Löfgren
Founder and Editor: Jessica Gysel

Want to submit your cover to be considered for our Cover of the Day? Send us a jpeg of your cover with credit info to SPDsubmissions@gmail.com
From the SPD Archives: Publication Design 22, 1988

From the SPD Archives: Publication Design 22, 1988

SPD50m.jpgThe SPD Publication Design annual has been the state of the art representation of magazine design since the first book was published in the mid-1970s. This issue of Publication Design 22, published in 1988, featured the best editorial design, illustration, and photography from 1986, selected by a stellar group of seven judges.

The book and jacket design was by Anthony Russell and Samuel Kuo, with a cover illustration by Philippe Weisbecker. The typographer was Typo-Grafix, Inc.

The competition chairpersons for Publication Design 22 were: Nancy Butkus of Nancy Butkus Design and Amy Bogert, art director of Ms. magazine.

Judges for Publication Design 22:

Christopher Austopchuk: art director, CBS Records
Carla Barr: creative director/vice president, Calvin Klein Fragrance
Bob Ciano: art director, Travel & Leisure
Stephen Doyle: principal, Drenttel, Doyle Partners
Rip Georges: art director, Regardies
Laurie Kratochvil: photography editor, Rolling Stone
Hans Teensma: design director, New England Monthly

Be sure to enter your magazine work into this year's SPD 50 Publication Design competition.

The very final (late) deadline is January 23.

~~~~~~~~~~~~
Related Stories from the SPD Archives:
1973 Call for Entries, Designed by Massimo Vignelli
The 15th Call for Entries, 1979
Call for Entries Poster, 1972
Call for Entries 20, 1984
25th Anniversary Call for Entries, 1989
The First Issue of Grids, 1982
Society of Publication Designers News, 1966
Publication Design News, 1975
Buttons from the 39th SPD Gala, 2004
Publication Design Annual #2, 1976
Publication Design 12, 1978
Publication Design 13, 14 & 15 Annual, 1982
Publication Design 16 & 17, 1983
Publication Design 20, 1986
Publication Design 21, 1987
Publication Design 24, 1990
Publication Design 39 Cover, 2004
Learning to Read Online

Learning to Read Online

LESLIE.jpgBy Jeremy Leslie
magCulture.com

I remember the first time I hooked up a 56bit modem to the phone jack and wondered at the digital type that appeared on my Apple Classic screen. Yes it was amazing, eerie even, seeing content-- newsgroup lists--dropping onto the screen as the modem whined away. But what did this mean for editorial design?

Since then--the early nineties, in case you weren't there--lots has happened but people are still asking the same question. It's only in the last few years that we've begun to get anywhere near an answer (or answers). There were the Flash years--I worked on an exciting but almost unworkable digital magazine for mobile network Orange in the UK that relied on Flash animation--and then the PDF page-turner years. The iPad briefly promised the earth, and though it's established a role for some projects hasn't lived up to the hype.

Just a couple of years ago I remember despairing at the thought content would be consumed on phones. How could we designers possibly create identity within such limited space? But now at last we are seeing progress as screen resolutions improve and mobile reading take off. Responsive web design and web fonts have combined to open the floodgates; long-form writing can be designed to work well on the desktop and tablet and adapt to smaller mobile screens.
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Cover of the Day: IEEE Spectrum Magazine, January 2015

Cover of the Day: IEEE Spectrum Magazine, January 2015

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Welcome to SPD's Cover of the Day, a portfolio of brilliant magazine and newspaper covers from around the world.

IEEE Specturm Magazine,  January 2015
Art Director: Mark Montgomery
Photography: Antoine Doyen
Photography Director: Randi Klett

Want to submit your cover to be considered for our Cover of the Day? Send us a jpeg of your cover with credit info to SPDsubmissions@gmail.com
Kickstarter Support

Kickstarter Support

LESLIE.jpgBy Jeremy Leslie
magCulture.com

However ambitious and confident you are about launching your own magazine, the issue of finance remains the hardest subject about which to find definitive answers. But this doesn't seem to dampen people's enthusiasm, they continue to launch small-run independent titles, and online crowdsourcing, in particular Kickstarter, has been a boost to people doing so. So last year I gave it a go.

Blogger Katie Treggiden made a name for herself covering the international design fairs on her Confessions of a Design Geek website. These biannual expositions show off new furniture and product designs from both established and new designers; Treggiden's blog focuses on the new designers. When we met to discuss her hopes of publishing a print magazine we found we had much in common and decided to launch the title--to be called Fiera--as a joint venture. Two bloggers coming together to make a magazine seemed a neat story, and I was intrigued to give Kickstarter a go.

I divide the Kickstarter experience into two distinct parts; the first part was planning the fundraising, a process that mirrored that of planning a magazine. By the time you've devised the editorial strategy you've got the structure for your campaign: what will the mag be about, who will read it, how will you cover particular interests and concerns. You can make the various rewards levels as complex as you wish but we decided to keep it simple, effectively making the fundraising a pre-ordering service--the base level reward was a copy of the magazine.
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Show Us Your Best!

Show Us Your Best!

2014 was a great looking year for magazines!   

As we finalize the winners from our Pub50 competition and prepare to award our medalists at this year's gala, we also want to hear from you! We've partnered with postcard.com to put together an amazing exhibition of the year's best work, curated by YOU!   All of the work uploaded will be shown on spd.org and in a monumental display at the spring gala. 


Show us the one layout, photo, website or illustration that was your absolute favorite of the year.  Follow these simple steps


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Fred Woodward on Why I Enter

Fred Woodward on Why I Enter

WHY I ENTER

I was working at Texas Monthly, almost thirty years ago now, when I received a poster in the morning mail announcing the 'call for entries' of The Society of Publication Designers competition. It was designed by Louise Fili. Of course, it was beautiful, that poster. I had never heard of The Society of Publication Designers before that day, but I was a publication designer--had never been anything else in my brief career--and I felt the pull. I edited my best stuff, trimmed and taped those tear sheets, inked in the forms on the back, wrote a personal check and FedExed it to New York City the last night before the drop-dead deadline. My motivation at the time was as basic as it gets--I just wanted to see how I was doing.
 
I started out at a city book in Memphis and spent the first decade of my career at one regional magazine or the other. As is so often the case when you're working in regionals, it was usually the only magazine in town. While I had friends who were terrific graphic designers and art directors, they weren't doing what I was doing. Not really. I realize now, that when I sent that first package off to SPD in NYC--as cliched as it's going to sound--I was searching for my tribe. I found mine that year.
 
Just a few months earlier I had asked 20 different illustrators to 'Draw the Cowboy.' It was a simple enough idea taken straight from my childhood. Because I loved to draw as a little kid (OK, because I wanted to be a famous artist) I took the 'Famous Artist School' test, the one you always saw advertised in the back pages of your comic book. I thought it might be fun to have some of the best illustrators in the world draw that same little quick sketch cowboy. I had the gumption to ask the likes of Brad Holland, Marshall Arisman and Matt Mahurin to do spots. They were all gracious enough to accept. It won a gold. And when my editor heard the news, it won me a trip to New York to accept that sweet, sharp curve of Massimo Vignelli-designed precious metal in person.
 
The Gala took place in the cavernous front hall of The New York Public Library: Town & Country's Melissa Tardiff was president, Cipe Pinelles was honored 
with the Lubalin Award that night, Robert Priest was the art director of the moment in a Casablanca Bogart white dinner jacket, and Paula Scher (a personal hero then, still) came over and whispered enough encouragement to fuel me the whole of the next year. And seeing the work on that big screen for the first time (and later printed in the annual alongside some of my other heroes and my new peers), well, that's for all time. 
 
So every year, ever since, I enter. 
 
I still enter to see how I'm doing. And to see what everyone else is doing. I enter for the love of the organization, and for the pure competition of it all. I enter to help build the careers of the gifted team I'm lucky to work with everyday--for the opportunity to simply give credit where credit's due. I enter to better follow the ones who've moved on, and to watch for the new names coming up. I enter for the inspiration to do better, and for the motivation to keep going. I enter for the long row of heavy books on the shelf that document where I've been, and how I got here.
 
There's more--much, much more--but, you get the idea. 
 
To paraphrase the immortal Chico Escuela (aka Garrett Morris) of 'Saturday 
Night Live' fame: "SPD has been berry, berry good to me." I sincerely hope it 
will be/has been/will continue to be for you, as well. So if you haven't already, please pull it together today and send us all your best work--because you 
cannot win if you do not play.
 
Fred Woodward
January12th, 2015 
Client Magazines

Client Magazines

LESLIE.jpgBy Jeremy Leslie
magCulture.com

Content marketing is the buzz word of our age, a generic term covering many types of publishing project, from small to large across print and digital, that promotes a brand or organisation. I spent the noughties as creative director of the UK's then leading specialist in the form, and saw the industry--then known as custom publishing--grow exponentially. I also saw it slow down and become normalised, the rough edges knocked off and the creative decisions based more on appeasing clients than reaching out to readers.

So it's been cheering to see a new group of publishers recently move into collaborating with clients on magazine projects. Most have proved their credentials by producing their own publications, so adding a client project is a relatively simple extension. And although only one issue old, The Happy Reader is my favourite current example of the form.

I hope most readers will already be aware of Fantastic Man and The Gentlewoman, the pair of biannual magazines published in English by Dutch editorial heroes Jop van Bennekom (art direction) and Gert Jonkers (edit). Both magazines have cut through the conservative worlds of men's and women's fashion coverage to create a new editorial language that is a highly contemporary mix of irony and seriousness. They are highly sophisticated editorial vehicles that owe much to the pair's earlier abstract experiments in publishing.
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Digital Discovers Print

Digital Discovers Print

LESLIE.jpgBy Jeremy Leslie
magCulture.com

It's long been argued that print and digital should work alongside one another to get the most out of both forms, but generally this has been read as print adding digital to its existing channels.

Recently though we've seen multiple examples of digital publications and brands launching print publications for the first time. These have ranged from bloggers and web publishers extending their voice into magazines to digital businesses adding a printed publication to their marketing efforts.

The most intriguing example of the former is The Pitchfork Review, launched by the team behind the website Pitchfork. Launched 19 years ago, the site has developed from covering indie rock to a broader palette of music coverage that attracts a huge daily readership. In doing so it has had the similar effect on music magazines as the MP3 had on record sales. Although not the only reason for the decline of the traditional music mag, Pitchfork has surely played its part in their demise.
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Join SPD This Wednesday, January 14th for a free drink or two to celebrate as we salute this year's remarkable entries for the SPD Pub 50 Competition! (If you still haven't entered yet, there's still time!  Click here for more info.)

PLUS Raffle prizes you won't want to miss!
• $500 in free printing from CirclePress
• A set of SPD Annuals 
• A set of the 50th Anniversary Poster series

(Did we mention FREE drinks?) 

Please RSVP to RSVP.SPD@gmail.com
The Maturing Independents

The Maturing Independents

LESLIE.jpgBy Jeremy Leslie
magCulture.com

All the magazines I'm featuring this week are from the self-published independent sector, an area of seemingly boundless energy and growth. Such enthusiasm goes a long way but can't cover up the fact that not every indie mag is a winner. As with any endeavour there's a natural balance of success and failure, and as the independent market grows there's the disappointing spectacle of new clichés entering the visual language of editorial design.

But there are always leaders, and if the more established independent magazines like Fantastic Man, 032c and Apartamento have had it all their way for some time, it's great to see newer magazines reaching a higher level of maturity. And The Gourmand epitomises this new standard.

Right from its 2012 launch this London-based food and culture journal sought to reflect its name, gourmand meaning someone who takes great pleasure in food. The magazine celebrates the enjoyment of food and editors-in-chief David Lane and Marina Tweed reflect this in their evident enjoyment of making a beautifully produced magazine.
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This Week: Guest Editor Jeremy Leslie of magCulture

This Week: Guest Editor Jeremy Leslie of magCulture

LESLIE.jpg[A note for the SPD Grids Editors: The is the fifth in our ongoing series of Guest Editors on the Society of Publication Designers website. Jeremy Leslie is a designer, writer and curator. His London-based magCulture studio specializes in editorial design, with recent projects including the launch of design magazine Fiera, the redesign of wine magazine Noble Rot and the design direction of progressive publishing website Aeon. He is also creative director at Luxembourg's Maison Moderne.

His latest book on editorial design
The Modern Magazine was published in 2013, and the magCulture blog is a key source of editorial design opinion and news. He was co-chair of the 2012 SPD Awards, and co-hosted the awards dinner, aka the night Richard Turley dressed as a hotdog. You can follow Jeremy and magCulture on Twitter @magCulture. Many thanks to Jeremy for joining us on the site this week!]

By Jeremy Leslie
magCulture.com

Happy 50th birthday SPD! It's a pleasure to be guest-editing the site this week, I'm looking forward to moving out of the familiar surroundings of the magCulture site and posting in a new environment.

To provide some structure to the week I'll be asking "Where do magazines come from?" This question arises because few if any of the big publishers are launching new magazines at present. Yet we receive several new magazines each week at magCulture.

I've identified five common sources for these new publications and will share one of these each day. There'll be plenty of images, some succinct text and plenty of links for you to discover more. I hope you'll see some things you've not seen before and that you'll end the week as excited and intrigued by the magazines as I am.

Resources:
magCulture.com
magCulture on Twitter: @magculture

Q: Where do I enter my spot illustrations?

A: Spot illustrations may be entered as Illustration Single/Spread or if they are a series, they may be entered as Illustration Story.


I used a photo in my design that is not an original commission.   May I still enter that piece?
All photo and illustration entries must be original work, and must never have been published before appearing in your publication. Images that have previously appeared in books, magazines, or other publications, including digital formats, are not eligible. Original layouts that feature previously published images may be entered in any design category, however.

Find out more about Pub 50 and details on entering at spd.org/competitions

Q: How many print issues do I have to submit for my Mazagine of the Year entry?

A: Submit three copies of three different print issues for a total of nine issues. For example, if you decide to enter your March, September, and October issues as your Magazine of the Year entry, you would submit three March issues, three September issues, and three October issues.


What about the bar code entry labels?
Stick the labels marked "1 of 3" to the back of each of the three march issues, stick the labels marked "2 of 3" to the back of each of the three September issues, and stick the labels marked "3 of 3" to the back of each of the 
three October issues

Find out more about Pub 50 and details on entering at spd.org/competitions
Cover of the Day: the New Yorker January 19, 2015

Cover of the Day: the New Yorker January 19, 2015

Welcome to SPD's Cover of the Day, a portfolio of brilliant magazine and newspaper covers from around the world.

coveroftheday.jpg

The New Yorker 
 January 19, 2015
Creative Director: Wyatt Mitchell
Design Director: Chris Mueller
Cover Illustration: Ana Juan


Want to submit your cover to be considered for our Cover of the Day? Send us a jpeg of your cover with credit info to SPDsubmissions@gmail.com

Q: Where do I enter my redesigned section?

A: In the Super 8 Redesign category.


May I enter a "before" and an "after" redesigned issue as well as a "before" and "after" section?
Yes. You may enter up to three entries in this Super 8 category. Obviously for the Redesign category, a "before" and an "after" counts as only one entry. Thus, you could enter a "before" and an "after" issue, as well as two additional "before" and "after" sections, which is a total of 3 entries.

Find out more about Pub 50 and details on entering at spd.org/competitions

Do You Teach Design? Or Do Occasional Presentations? Know Any Design Students?

Thumbnail image for SPDU_Icon-Small.jpgMaybe you teach, maybe you have some great interns, or are still in contact with your past professors ... if you have any contact with students or college faculty, we here at SPD-U (our student group) could use your help with two of our spring programs:

We're looking to build our roster of speakers for upcoming student events, so whether you teach, do speaker presentations all the time, or simply want to start, we want to hear from you ... email us at spdstudentoutreach@gmail.com.

• Our second project this spring is our 2015 Student Design Competition. If you teach, we'd love for you to consider including the competition as part of your spring syllabus. If you know any design or journalism professors or students who are interested in magazine design, we'd greatly appreciate if you could encourage them to enter. Direct them to the info page here, or share our competition posts from our SPD-U Facebook page and/or Twitter account.

Thanks so much for your time and help as we try to support, educate and showcase the future of our industry.

Q: Can I compete with every title, even with the ones outside my genre?

A: You can! The Super 8 categories will still group everyone together.


May I enter the same piece in a Super 8 category as well as a category within my genre?
Yes. And remember, if appropriate, you may enter that same piece (let's say it's a spread with a lead illustration) in both the Design Spread and Illustration Spread categories within your genre. 


Find out more about Pub 50 and details on entering at spd.org/competitions

Q: Can international magazines enter?

A: Yes!  We welcome editorial brands from all over the world to enter. 


Find out more about Pub 50 and details on entering at spd.org/competitions

Q: Why the 10 different genres?

A: Grouping magazines into distinct genres more accurately reflects the real-life competition that exists between magazines in our industry. For example, ESPN competes as a brand with Sports Illustrated, among others, and not with Glamour or Time. 


How were the genres determined?
SPD tabulated entries from past competitions to arrive at an equitable set of genres. The goal is to have a set of genres with a balanced number of entries.

More of your genre questions answered after the jump...
MORE
A Fun Night of Holiday Cheer for SPD Members & Friends

A Fun Night of Holiday Cheer for SPD Members & Friends

Thanks to everyone who came to our SPD Holiday party on Wednesday, December 17th at FC GOTHAM
Special thanks to all our sponsors: 

Take a look at all the photos HERE
Photos by C.Mead Jackson Photography
MORE

There's still time to get your entries in for our Pub50 competition!


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Get your entries in before the 
December 14th 
Early Bird Deadline 
and save!

Standard Deadline January 16th

Check out our competition page at spd.org/competitions 

or click to download the call for entries


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