Last April at
Semi-Permanent Sydney, I had the thrill of meeting and befriending one of my heroes, the terrific screenprinter
Kate Gibb. I've been in love with her work since I laid eyes on her first
record cover for Mono, back in 1997. Since that time, she's become the go-to artist for the Chemical Brothers, having created a career's worth of brilliant work for both full-length studio album covers and singles. Beyond that, she's created wide-ranging image campaigns for Dries Van Noten as well as Penguin books. …
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